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Sony h.ear in NCs Review

Sony h.ear in NCs
‘People who plug their keyboards into their hi-fi aren’t idiots, that would be stereotyping’. ‘The latest iPhone is a huge 6s.’ Everyone loves a good pun – or even a couple of mediocre ones – including Sony, by sound of its latest buds. Pronounced ‘hear’ (their less puntastic model name is MDR-EX750NA), the h.ear in NCs have been released alongside the h.ear ons (on-ears) and two Walkman music players.
The common gene in this product family? With Sony running with the idea that single-colour products are easier to coordinate than two-tone ones, they all share the same distinct, colourful finishes. The h.ears come in straight-up black, blue, yellow, pink or, like our sample, red.
 
In fact, it turns out to be more of an attack of red than the elevator scene in The Shining, from the four sizes of silicone buds and 1.5m cable to the box it comes in.
 

Comfortable and secure

 
It’s a bold, attractive look, and one both our eyes and ears are fond of. The buds are long enough to burrow inside your ear snugly so even a slight accidental cable-tug doesn’t dislodge them, and we reckon they’re comfortable enough to last a transatlantic flight (by the way, a flight adapter joins the carry pouch included in the box).
 
But the real talking point isn’t design, for these aren’t your average earbuds. With built-in noise cancelling, they aim to block out any outside racket using two tiny microphones – one outside and one inside the housing – to detect ambient noise and offset it with opposing sound waves.
 
Sony claims the h.ears can run to 16 hours of noise cancellation before they require a two-and-a-half-hour recharge via the supplied microUSB cable. That plugs into a small battery box – the size of a pack of chewing gum, fixed on the cable near the 3.5mm jack and slim enough to easily slide into a trouser pocket.
 

Don’t expect pure silence

 
Further up the cable is a universal in-line remote for hands-free calling. On one side is a switch for turning noise-cancelling on and off, on the other is a single button to answer/end calls and perform basic playback operations: press once to pause, twice to skip forward a track and thrice to skip back one.
 
So how is it as a sound blocker? Pretty good actually. It certainly reduces the hum in our office and is just as effective at blocking out the constant murmuring that plagues the commuter train. Just don’t expect pure silence, or even the level of isolation you may have experienced through decent noisecancelling on-ears.
 
It’s handy for calls too: voices are amplified, coming through loud and clear, and despite the in-line microphone falling at chest height, you can be heard just as well on the other end.
 

Lean side of the tonal fence

 
But for a pair of headphones, sound quality is king and this is where the h.ears drop the ball. There are positives: we like how clean, crisp and agile the presentation is, and as we play Michael Jackson’s The Way You Make Me Feel its fast, agile character is peppered with liveliness. Keyboards bound along, vocals are clear and focused, and cymbals sweetly simmer.
 
Although the thrumming bassline isn’t as deep or driving as it should be, the Sonys do a good job of keeping its rhythmic structure alive. You need no comparison to hear that they sit on the lean side of the tonal fence, but although we crave a little more weight and solidity behind mids and lows, it’s not an uncomfortable balance.
 
As an aside, we’d save the noisecancelling feature for when you really need it as the h.ear ins are a slightly subtler, more precise listen in passive mode.
 

Only a mini-victory

 
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